I just happened upon a fantastic online collection of documentaries on Stanley Kubrick. Now, I must watch them all.

Nadav Kurtz’s short film Paraiso documents the hard work of Mexican immigrants (two brothers and their cousin) who day-in, day-out take huge risks hanging high above the Chicago skyline to clean the windows of the city. They do this with their families in mind. They do this for security and survival. Like many immigrants, they do the work that others don’t want to do.

In advance of the upcoming Nine Inch Nails album, Trent Reznor teamed up with David Lynch for the making of the video for the first single, Came Back Haunted. The track’s character seems to harken back to some of the band’s earlier sounds and the video does the same with regards to Lynch’s earlier experimental filmworks. So, it’s a fitting pairing to see Lynch and Reznor collaborating again.

My friend and collaborator, Alessandro Cortini is one of the most gifted talents that I know. I’ve been listening to his newest track, entitled Gloria on repeat. The track was created using a Buchla Music Easel modular synthesizer.

I discovered Ezra Caldwell when researching local bike makers (in search of a bike for myself). His bikes stood out — they were simple and elegant, but each had a unique personality, and it was clear they were designed to work not merely look good. I was instantly attracted to them. I noticed he had a blog, and I clicked hoping to learn more about him.

But instead of the mechanics of bike making, I discovered something else: Teaching Cancer to Cry stood at the top of the page. Ezra’s tale spanned remission, treatment, diagnosis. Hours went by as I read his posts, working backwards in time. Ezra is gifted at many things, writing among them, and I couldn’t stop reading.

I worked up the nerve to email him and try to persuade him to allow me to make The Bike Maker. To my pleasant surprise, he was interested and invited me to come up to his home in Harlem for coffee. (Ezra makes really fucking good coffee.) We chatted for several hours about everything from politics to the state of manufacturing in the US. Five months later, I was back in his home with a crew. Ezra was a good sport; I’d like to think he was as curious about what we were doing as I was in him. He was generous, brave, and graceful.

So I have a confession: the Made by Hand series is not really about making stuff. Well, at least for me, it isn’t. I started Made by Hand because I wanted to tell personal stories, stories that would give me more perspective about my own work as a filmmaker, and a human. I think Ezra’s story does just that.

A warm thank you goes to Ezra and Hillary.