Movies in Color is a blog that pairs motion picture film stills with their corresponding color palettes.

Celia Rowlson-Hall is a filmmaker, dancer, and choreographer. There’s a great sense of whimsy to her work that reminds me of all that I love about Miranda July’s projects. My favorite piece of hers thus far is a short performance film that pokes some fun at the absurdities of The Audition process. I hope to one day collaborate with her.

15 Extraordinary Black & White Films (Since 1980)

The White Ribbon by Michael Haneke, 2009
Control by Anton Corbijn, 2007
Lake of Fire by Tony Kaye, 2006
Angel-A by Luc Besson, 2005
Dark Days by Marc Singer, 2000
Institute Benjamenta by the Brothers Quay, 1996
La Haine by Mathieu Kassovitz,1995
Dead Man by Jim Jarmusch, 1995
Ed Wood by Tim Burton, 1994
Man Bites Dog by Remy Belvaux, Andre Bonzel, and Benoit Poelvoorde, 1992
Tetsuo: The Iron Man by Shinya Tsukamoto, 1989
Wings of Desire by Wim Wenders, 1987
Rumble Fish by Francis Ford Coppola, 1983
The Elephant Man by David Lynch, 1980
Raging Bull by Martin Scorsese, 1980

In 1974, Dominican immigrant Don Antonio Martinez started a small shop in New York City selling hand rolled cigars. Thirty-eight years later his son, Jesus, carries on the tradition. The shop combines craftsmanship with community, mixing equal parts work and play. It is the focus of the fourth installment in the Made by Hand series. Perhaps my favorite part of making this film is the way it expands the maker experience outward; it’s not just about the artifact, but about the people you make things with and for.

Last week, I released The Beekeper, the third film in the Made by Hand series. Local urban farmer Megan Paska has witnessed beekeeping as it morphed from an illegal (and possibly crazy) habit to a sustainable, community-supported skill. Mirroring beekeeping’s own ascendance, she found more than just a living: “This is the first time in my life when I’ve just felt absolutely on the right path.”

 

 

Earlier this week, I released The Knife Maker, the second film in the Made by Hand series. This time we pointed our camera at writer turned knife maker Joel Bukiewicz of Cut Brooklyn. He talks about the human element of craft, and the potential for a skill to mature into an art. And in sharing his story, he alights on the real meaning of handmade — a movement whose riches are measured in people, not cash. I can’t express enough gratitude for the inspiration, candor and friendship I’ve received from Joel.

Metropolis II is a short docu-film on the kinetic sculpture of the same name created by Chris Burden. The project which took 4 years to build is a massive cityscape inhabited by a never ending stream of toy car traffic.

Thursday evening, we debuted our first film — on the Breuckelen Distilling Company — at Studiomates, the collaborative workspace in DUMBO, Brooklyn. Since so much of the inspiration behind Made by Hand has come from the creative community in Brooklyn, this was a special opportunity for us. We’re exceedingly grateful to the people of Studiomates — and the makers in Brooklyn and elsewhere who inspire us every day.

We’re pleased now to release our first film into the world; go and watch it now. Brad Estabrooke’s tale is one of knowing you could fail, and moving ahead anyway — perhaps the most important ethos of the handmade spirit. We’re thankful to Brad for also joining us last night and sharing his gin and company.

Our next film — on local knife maker Joel Bukiewicz of Cut Brooklyn — is in production now. Joel talks about finding himself at the intersection of the handmade and food movements (“I hit the jackpot,” he says) and more.

And as we head into the Fall, we’re talking to more makers in Brooklyn and nearby as we seek out subjects for subsequent films. Our hope is that you find these portraits as inspiring as we do.

Best,
Keef