Michael Winterbottom is one of the most unique and prolific filmmakers in cinema today. With each project he ventures into new territory sliding in and out of genres with ease. What I have found to be so particularly alluring about his work, is that there is a clear voice that is always looking for new ways to use the medium of film. In the last few years, he has experimented with blurring documentary into more traditional forms of story telling, resulting in a seemingly new language. Now, he has taken on Naomi Klein’s The Shock Doctrine as a point of departure. The pairing of Winterbottom and Klein is sure to make for an intense film.